Ten years since these modern mystery plays were first performed, John Constable’s raucous mystical caravan will be returning to Southwark Cathedral this April. Website sez:
Inspired by the medieval mystery plays, this modern drama is rooted in the history of Bankside – London’s “outlaw borough” – mixing Bible stories with local folklore and contemporary humour.
Crossbones Graveyard Gates
It’s not Shakespeare (although he is in it, and Chaucer too – both had strong ties to the area) but it should be an entertaining performance.
The play stitches together symbols from across the centuries, from high art and street scurf, and it’s full of church spires and rags, goddesses, whores, history and magic.
It was inspired by the discovery of the Crossbones Graveyard in Borough. The play was written partly to restore a voice and a memory to the 15,000 nameless people buried there outside consecrated ground – prostitutes and criminals, the sick and the mad.
The whole project is an amazing example of modern myth-making, of a community of misfits and an urban space reclaimed for the non-specific spiritual. One day I’m going to tie a ribbon to the gate and commemorate one of the thousands of born-forgotten women who are buried there.
How many of your human rights can you name? Really? Before I started working at Liberty I reckon I would have got the right to life, maybe. Right to free elections. Right to an education. But that’s about it. Here’s a nifty interactive microsite we have made to help explain in plain English which freedoms the Human Rights Act protects, with links to more information about the individual rights and how they apply.
Liberty conducted a ComRes poll in December and found this startling result: the British public support human rights. 96% believe it is important that there is a law that protects rights and freedoms in Britain. However only 11% of respondents remember receiving or seeing any information from the Government about the law that does (source).
Our campaign aims to increase understanding and respect for human rights values, and to give people a chance to learn about the Human Rights Act and what it means for them. Please help us by sharing the link www.love.commonvalues.org.uk as widely as you can, with your friends, colleagues and networks, and share the love for our Human Rights Act.
Flickering into existence in a warehouse space of Baker Street in early February, the Kinetica Art Fair described it’s contents as “artworks from leading contemporary arts organisations and artists specialising in kinetic, electronic, robotic, light, sound, time-based and interdisciplinary new media art”. And how!
There were some really stunning pieces, beautiful and mesmerising, some were creepy, or witty, all intelligent. It was packed when we went, and the abundant duct tape, neon, chatter and clanking of machinery gave the impression of being jostled through some kind of intergalactic souk.
Given the subject matter and the crowd you might expect the show to attract, *everyone* was taking photographs, liveblogging, podcasting, or filming the artworks, so there’s lots for people who didn’t get to see it, this video by Rainycatz takes in a lot of the really eerie lovely stuff that was going on.
There’s also a ton of Kinetica pictures on Flickr which are well worth a browse. Here’s a short video I took on my phone of some serenely spinning solar-powered glassy blue discs, which made me think of an otherwordly orrery: Kinetica – Orrery
I will add the title of that piece and the artist when I can get their website to work – it is clearly not futuristic enough to handle my OS + browser combo (oh snap!) Ok, have tracked it down, it’s called ‘Multiple Organism’ by Daniel Chadwick.
Other favourites include ‘Tease’ by Kathy Taylor, which has really grown on me. It has more layers than might be apparent at first glance, and it’s gentle play with a political/social theme appealed to me. As well as the ‘oooh flying teabag!’ reaction, of course. You can see the movement in the video above.
The Most Unsettling Work award goes to ‘Memory’ by Mital and Papadakis, which was eerie in the extreme. Plus I’m a sucker for neurological imagery in art from Keats onwards. From ‘Ode to Psyche’:
In some untrodden region of my mind,
Where branchèd thoughts, new grown with pleasant pain,
Instead of pines shall murmur in the wind
This is what I have been doing tonight besides working. You can’t see here, but the pony has ‘irony’ written on it in sugar letters. We wanted to write ‘ironicorn’ but there wasn’t room.
There were others, but they have been eaten already.
Ask someone to describe a typical charity appeal and there’s a good chance they’ll describe what duckrabbit have christened the ‘Africa is f**ked, now give us your money’ approach. Misery. Guilt. Cash. Two campaigns have caught my eye for taking a different line, cutting out the pictures, the grimness and guilt and replacing them with a celebration of ‘human power’.
A positive call to action
Rather than dwelling on the problems, these campaigns assume we know them already, and focus on getting us involved in solving them.
This is exactly what Oxfam’s Be Humankind ad campaign launched with last year, through a series of colourful billboards featuring thought-provoking slogans like “Get rich quick. Give”, and a short animation that focused on the world-changing power of ordinary people. The warm and fuzzy message of the film was nicely balanced by a bit of creepy animation, although I wasn’t very keen on the oral Care Bear stare at the end. I get the symbolism, but I don’t want to vanquish injustice by vomiting freedom. Can I be empowered in a less gross way, please? Thanks.
Christian Aid’s current Poverty Over campaign makes a similar appeal based on our power to improve the world, a power which is rooted in our humanness. They add a compelling twist to the message – poverty is a problem we created, so we can end it. It does help to make their goal seem more achievable, but it’s also an unfortunate reminder that if humans weren’t so powerful there’d be a whole lot less mess to clean up now. The campaign challenges people to explain why ending poverty is impossible and then counters them with reasons why it isn’t. This is a deft bit of supporter engagement, drawing people into the debate, and radiating confidence.
Words not pictures
By using typography and simple graphics rather than photos, these campaigns can make a case for common humanity but bypass the sentimentality of the ‘holding hands around the globe’ photographic oeuvre. Watch this quietly inspiring little animation about the Universal Declaration of Human Rights. It’s simple, inclusive and positive, without being sickly. There’s not a human face in sight, and no soaring strings in the background – it lets the words do the work.
It is impossible to represent humankind with two or three faces, and as soon as a campaign includes an image of a person it becomes divisive: “But I’m not black / white / happy / hungry / fabulously attractive, what does this have to do with me?”
Celebrating human power
Oxfam and Christian Aid encourage participation by creating an appealing inclusive collective identity which goes deeper than asking people to become an activist – they want you to become a good human. Julie Wood, Oxfam’s director of corporate communications said about Be Humankind: “A lot of people want to see change but feel useless when faced with the issues, but we are all in this together.”
Those last six words are key to the success of this approach. By invoking a common identity that has respect and intolerance of injustice at its heart, these campaigns make change seem possible through the power of collective action. It also reaches a warm, glowing hand into our technologically insulated and community-starved 21stC lives. For anyone with a swollen social conscience like myself, it’s heady stuff.
This is a neat way of tapping into the support of people who are interested in the issues but who are apathetic, or turned off by obviously emotional charity appeals. But what about people who still need convincing that they should care about poverty or injustice? Aiming for the lowest-hanging fruit makes sense though, and I’d be very interested to know how these campaigns have performed. Go human power!
Today I learnt a new thing: Google books allows you to embed a entire book into a webpage, so that your visitors can read it online. So taken am I with this new toy, I’ve tracked down one of my favourite fairytale books from when I was a nipper to share with you in this very blog post. Enjoy!
RT @brassfeathers: livestream from Intersect conference! Wish I could be there in person, so pleased it's being streamed - http://t.co/T ... 19 hours ago
RT @WomenWhoTech: New Study: Donations Decline for Nonprofits http://t.co/srNUbMot (via @care2frogloop) 19 hours ago
Today is mostly party prep. Vegan fairycakes are GO! 19 hours ago
@mimtron Woo! :-) @alasdair is welcome too btw in case that wasn't clear 22 hours ago
@miss_tiger_lily Have an amazing time! :-D 24 hours ago
@Hannah_Chutzpah @SteveB_uk @BadRepUK Oh not another one :-( Vagenda did one too - stop stealing my idea! Pah. </grumble> 2012/05/18