I know I’m a bit late to the blogging-about-My-Little-Pony party, but then I am late to every party so at least I’m being consistent.
Having been reminded unceremoniously of its existence by a domain name renewal invoice, I’ve decided this poor old blog has lain dormant LONG ENOUGH. It’s time to get back in the blogging saddle.
Of course I’m still blogging rather more regularly for the excellent Bad Reputation but for my not obviously feminist interests it’s time to revive Applejackson.
On the subject of which: My Little Pony is back! Whoah. And for once my diamond hard 80s cartoon nostalgia has melted away: the new version is roughly a billionty times better than the original. For anyone who hasn’t seen it (really, what have you been doing?) It’s very much in the Powerpuff Girls mode – bright, fast, squeaky, witty – which is no surprise as they were both created by the same person, Lauren Faust.
Applejack was always my favourite because she was the tomboy pony (tompony?) But now my world has been spun on its axis because in the series reshod there are TWO TOMPONYS! Applejack and the rather brilliant Rainbow Dash. AND there’s a bookworm pony in the form of academic Twilight Sparkle. Friends of mine have produced excellent blog posts about the feminism of MLP, and the way it reflects the experiences of current twentysomethings.
My Little Pony: Friendship Is Magic (to give it its full title) has also pleasingly plundered a compendium of mythical beasts for its adversaries – in the second episode the pony friends fight a manticore! And later some giant ghostly star bears: Ursa Major and Ursa Minor.
Although to be fair the original had some good baddies too. In one the ponies got turned into spiny dragon-creatures, that was quite disturbing. And anyone else remember Katrina the magic junkie witchcat and her shape-shifting lizard lover? They tried to turn all the ponies into slaves when their existing slaves (kind of a hybrid between tribbles and the M&M advert characters) escaped. Katrina appears about at about 2.30 in this clip:
Watching it again it’s all a terrible indictment of female ambition and aggression as Katrina is rewarded with the love of her lizard and social acceptance by the ponies when she gives up her power and becomes gentle and demure.
Another thing I appreciate about the new version is that it explores the implications of the presence of Spike the baby dragon. I can’t remember his exact role in 80s Pony lore, he was just sort of hanging around, but I always found it troubling. What about when he grows up? Are there other dragons around? Do they eat the ponies? In the new version he’s the friend/pet/slave of academic pony Twilight Sparkle, and there’s a whole episode dedicated to answering these urgent questions.
Of course there are new questions in their place: do the earth ponies ever get resentful at the unicorn ruling elite? Is Equestria a feudal state? Why are there so few male ponies? Why does the pony princess Celestia travel in a chariot *drawn by ponies*? Are they slaves? Do they have language too? And the one that bothers me most of all: why would a farm in Ponyville have pigs on it? I can’t stop imagining a My Little Pony Abattoir play set.
But I love it anyway, and although the sharing and fluffiness occasionally gets a bit revolting, I approve of its central message, because, well, friendship is magic. The 80s My Little Pony message was basically just “buy me!” so this is a significant improvement.



