Tagged: V&A

Nov 04

V&A LATE event: In The Dead of Night

Norns weaving destiny - Arthur Rackham (1912)

Norns weaving destiny - Arthur Rackham (1912)

Another one of those “hooray for living in London! oh blast there’s all these other people that live here too” evenings. Turns out that fantastic free cultural events tend to be really popular.

Anyway, on Friday 30 October I ambled along to a hallowe’en-themed addition to the London museums LATES programme at the lovely Victoria & Albert Museum, but didn’t amble fast enough to sign up for anything. I also ambled into the middle of some performance art, which was a bit unfortunate, although I don’t think anyone noticed.

So I missed a few interesting things, including a talk on witchcraft by the curator of the wonderful Witchcraft Museum in Boscastle. It got utterly swept away in the flood a few years ago, so I’m very glad to see it’s back on its feet. There was a talk about Noh masks and Japanese demons that I caught snatches of through the gallery noise and the large crowd, but gave up after a while and went to a room upstairs to look at an exhibition of witch and fairy illustrations which was beautiful.

Highlights for me were some original sketches by Arthur Rackham, watercolours by Edmund Dulac, Brothers Grimm etchings by David Hockney, and Paula Rego’s black and white witch pictures. You can see Rego’s images online on the Tate website. They were  illustrations for Blake Morrison’s book of poems about Lancashire’s famous Pendle Witches.

It was worth going just for this little exhibition, and the chance to look around the gallery in the evening (no kids!) but the party atmosphere, high goth count and foyerDJ playing Joy Division, Tears for Fears and the Ghostbusters theme tune made it a lot of fun. The next V&A Friday Late is 27 November, called ‘Making A Scene’ – about gender identity, subversion and performativity, I’m told, although there’s no information up yet. Sounds right up my street.

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Sep 26

Fantastical furniture at V&A Telling Tales exhibition

Supposedly taking its inspiration from “the spirit of story-telling” the free Telling Tales design exhibition at the Victoria & Albert Museum is well worth a visit before it’s packed up on 18 October.

Taking up a small space near the main entrance of the museum, the exhibition is divided into three sections – ‘The Forest Glade’, ‘The Enchanted Castle’, and ‘Heaven and Hell’, featuring intriguing, appealing, appalling and entertaining objects from a range of designers. Each apparently “tells a tale through their use of decorative devices, historical allusions or choice of materials, sharing common themes such as fantasy, parody and a concern with mortality.”

It’s difficult to pin down the thread running through the collection, but I loved it. It was gorgeous and grim and quite otherwordly, and UNCANNY in huge neon flashing letters, so right up my street. Perhaps the best I can do is link to a few of my favourite pieces to give you a flavour:

Linen Cupboard-House – I just wanted to climb inside!

‘Smoke’ Mirror – A mirror with a deliberately charred and blackened frame, which is surprisingly evocative.

‘Moulded Mole’ Slippers – I think the artistic merit / craft credentials of these are less clear, but I’m a sucker for taxidermy.

I’d also recommend taking a peek at the Princess Chair, the pig’s skull teapot, and the ‘Lover’s Rug’, which still makes me feel a bit queasy. There was a good mix of highly desirable objects, and thought-provoking items which were closer to art in the way it is normally understood, and clever things had been done with a very small exhibition space.

The themes seemed to break down a bit towards the end, but there was plenty to mull over. Here’s a video by the curator and others explaining some of the ideas behind the exhibition, and if you want to find out more about fairytales (and what sort of empty-souled person doesn’t?) you can hand over £45 for a study day linked to the exhibition on Sat 3 October.

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